Now let me talk about what I loved about the film: Annette Bening and Julianne Moore. These women are beautiful, smart, and spirited, and they melded together perfectly. Their performance matched with the direction of the film made it seem these two women had known each other and loved each other for years. When Annette Bening's character, Nic, makes a discovery about her wife, every little emotion, expressed privately, is read with a look in her eye. Her pain has placed her inside a lonely bubble. Her ears have filled with silence and she's removed from her setting regardless of who surrounds her. This great little cinematic moment is thanks to great direction and great acting. And there are a few other moments like this one that made me appreciate the film and believe it is Oscar nomination worthy. Unfortunately, I think its competition is a little too tough this year to win best film. Not that this is what matters in the making of good movies, but I did title this little piece “Countdown to Oscars,” and so... there you have it!
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Friday, January 7, 2011
The Kids Are All Right
There were a lot of good films this past year, and this was one of them. However, because there were so many really good films, I feel that this one will be forgotten by the next year, similar to some other films in its niche like “Lovely and Amazing,” “Junebug,” or “Savages.” These are all really good films with great performances. I might even go as far as to say they positively influence future filmmakers, a little. But they're not really profound or unforgettable. They're not the kind of films that someone would actually call their favorite. This story, like others in its category, found humor in everyday drama and tried to normalize the unconventional lifestyle, which is tiresome.
Black Swan
Natalie Portman takes method acting to a whole new level in 2010's last minute Oscar push, "Black Swan". She's quite the actor, I must say. The role is brilliantly calculated, technical, psychological, primal and passionate, and Natalie unfolds and plucks out its layers one feather at a time. This is guaranteed to be one psychological thriller you have not seen before. And I wouldn't be surprised if horror fans welcome it into their favorite genre because what could be scarier than digging deep into your soul and pulling out something so strange and dark you're not sure who you are anymore?
Natalie Portman plays Nina, a ballerina who has dedicated her life to being just that, and finally wins the lead in an original interpretation of “Swan Lake.” Nina preforms the part of the white swan perfectly. However, as her teacher and another ballerina, Lily, help her get in touch with her darker side in order to preform the part of the black swan, Nina is torn apart. From the first scene when she seems to misinterpret her own reflection in the subway window, to a later scene when Lily doesn't seem to have the same memory of their night together, we are feeling pretty disturbed inside Nina's twisted sense of reality. With no help from her overbearing mother, played by Barbara Hershey, we see how perhaps trying too hard to play a role perfectly has some serious repercussions. It makes me wonder what Natalie went through to play this character... and this role within a role.
“Black Swan” was hands down my favorite film of 2010. I will never forget how I felt at the end of the last scene. I think some viewers might have a hard time with the film only because some viewers want something that makes them feel good rather than something that makes them feel nervous or icky. Its not a far cry from one of Darren Aronofsky's earlier films, “Requiem for a Dream.” If you'll remember, some of the scenes were so brilliantly shot, you actually felt you were in the moment. Its the reason we're so passionate about film, being able to experience things we normally wouldn't or couldn't. However, I loved this movie so much more, and I hope everyone will see it. I recommend seeing it with someone you love: you can discuss its meaning and the powerful performance by Natalie Portman over a cup of Jo as I did, and then you can give each other a hug so you wont have depressing dreams at night.
Labels:
Black Swan,
Darren Aronofsky,
Natalie Portman,
Swan Lake
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